Stage situation: A large group of around 20 people are together on an empty stage, all either standing or moving individually around the room. They are all wearing different clothes and are either barefoot or wearing trainers. There is one person in the centre who appears to be doing a handstand with their legs bent. Some of the people standing around are watching.
Black and white photo of a situation on a street with cobblestones, trees and cars in the background. Nine people in everyday clothes circle another person who appears to be doing a handstand. They are all on a crosswalk.
A high room that looks like an empty factory hall. A group of about 15 people move in a crowd from left to right through the picture, they seem to be running. They are all wearing different clothes and trainers. One person on the right of the picture appears to be breakdancing, the eyes of the other people are on the person.

Apaches

Saïdo Lehlouh

Rennes / Paris

On the streets of Belle Époque Paris, a group of outlaws comes together. Somewhere between a gang and a subculture, they have a particular enmity towards bourgeois Parisians, whom they threaten, attack and rob. They are the Apaches Parisiens, a name that first appears in a newspaper article and is then adopted by the group. Saïdo Lehlouh has taken these events in turn-of-the-century Paris as the basis for his piece Apaches.

At the grand opening of the festival, the contemporary French hip hop choreographer Saïdo Lehlouh presents the piece in a unique Hannover version. Over the course of a week, he brought together fourteen German and five French representatives of a range of movement-languages, including hip hop, breakdance, house and voguing, in a series of workshops and ‘each one teach one’ events. He combines all these shared experiences with the dancers’ personal styles and choreographic moves to form a quite special, self-contained dance evening.

Authentic solos, powerful duets and group choreographies make it possible to see just how much Saïdo Lehlouh’s aesthetic handwriting is shaped by the power of the collective and his curiosity about new forms of dance. With Apaches, he pays tribute to the non-academic and marginalised dances which for so long were kept off the stage in the theatres of high culture and which to this day have to fight for visibility, resources and recognition. Apaches is all about shared dialogue and networking, celebrating the power of encounter, of the moment and of improvisation.


Saïdo Lehlouh has his roots in street dance. Focussing on the power of community from the very beginning, he made his mark in the history of b-boying/breakdance in the 2000s as a member of Bad Trip Crew. In his choreographies, Saïdo Lehlouh brings self-taught and self-determined protagonists to the fore, by questioning the boundaries between stage and audience he opens up spaces as an invitation to a dialogue. Together with Johanna Faye, he created the Black Sheep Company and is part of the management team of the Centre chorégraphique national de Rennes et de Bretagne, the collectif FAIR-E.


Production credits

Choreography Saïdo Lehlouh, Timothée Le Jolivet, Yann (Lumi) Joseph-Auguste Performance Rafael Leandro Hellweg, Lukas Robitschko, Namzou (Tran Xuan Nam), бrooklyn, Donya Ahmadifar, Mohamed Moodimbi, Selina Ghirmay (Fiorinas), Kim Gorol, Anne Sharselle, Liya Tsegai (Fiorinas), Saïd Sankofa, Jakob Schuir, Raha Nejad, Stike, Maryne Esteban, Dylan Eusebe, Dereck Prudent, Kristina Kunn Artistic consultant Johanna Faye Sound Kevin Haccoun Production director Céline Gallet Production Cie Black Sheep, Garde Robe Executive production Collectif FAIR-E / CCN de Rennes et de Bretagne Photo (1) Laurent Philippe Photo (2) Josselin Carré Photo (3) Raphael Stora

The Centre chorégraphique national de Rennes et de Bretagne, directed by the Collectif FAIR-E, is an association that receives grants from the Ministry of Culture (Direction régionale des Affaires culturelles / Bretagne), the city of Rennes, the Regional Council of Brittany and Ille-et-Vilaine Departemental Council.

With the support of Houdremont, scène conventionnée de la Courneuve, and Arcadi Île-de- France.

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