Accessibility
General Info
In order to make the Real Dance Festival (more) accessible to all visitors, we have developed various offers for different needs. Some of them may already be familiar to you, others may be new. For this reason, you will find explanations of all offers below. All offers are continuously reviewed and revised by us. We are aware that we are not yet able to offer services for all accessibility requirements. We therefore ask for your support:
For local needs, suggestions for improvement and information on barriers, please contact:
Alina Kloepper – Contact for Questions on Accessibility
Mobile +49 176 587 685 11 (Signal, Telegram, WhatsApp)
Landline +49 511 9999 2503
E-Mail produktion@realdance.de
Venues
All venues are accessible without steps, with the exception of the Cumberland Bar. Wheelchair spaces are available in all venues.
Audio Descriptions with Touch tour
Audio descriptions make theatre performances accessible for blind and visually impaired people. In the audio description during the performance, the events on stage are described. This gives blind and visually impaired people access to the visual elements of a play, including movement, gestures, facial expressions, stage design, costumes and props.
Before the performance, there is also a touch tour. During a touch tour, blind and visually impaired people can adequately perceive the stage space. The objects in the space are first described in detail and with precision. Then the participants can touch them one after the other.
The following performances take place with audio description and touch tour in Spoken German:
TUE 28 JAN
20.00
Il Cimento dell'Armonia e dell'Inventione – Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5
Schauspielhaus
MI 29 JAN
20.00
Il Cimento dell'Armonia e dell'Inventione – Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5
Schauspielhaus
The touch tours begin one hour before the performances start and have a duration of max. 20 min. The meeting point for the touch tours will be announced shortly.
Please register for the audio description after purchasing your ticket by phone or e-mail:
Mobile +49 176 587 685 11 (Signal, Telegram, WhatsApp)
Festnetz +49 511 9999 2503
E-Mail produktion@realdance.de
Guide dogs for the blind people are of course permitted. We kindly ask you to register when purchasing tickets so that we can provide you with suitable seats.
Relaxed Performance
At REAL DANCE, selected performances take place as Relaxed Performances. A Relaxed Performance is targeted at anyone who would like to experience performances in a more relaxed atmosphere, different from what is customary in the theatre. It aims to welcome visitors who are often excluded from performance spaces through established conventions. These include, for example, autistic people, people with Tourette's, with learning disabilities or chronic pain.
The following aspects apply to performances that take place as Relaxed Performances:
- the Relaxed Performance is announced before the performance begins
- sounds and movements from the audience are explicitly welcome during the performance
- the audience is allowed to leave the performance space and return to it at any time
- we offer alternative seating in the form of beanbags
- we inform in advance on our website about the potential demands that are placed on the audience during the performance. These include sensory stimuli and content notes
The following performances take place as Relaxed Performances:
THU 30 JAN
20.00
1GUH WATCH – Dynamic Legends, Miss Rose, Damion BG, Dj Pappi, eye juice, Tamara Alegre & guest
Ballhof Eins
FRI 31 JAN
21.00
1GUH WATCH – Dynamic Legends, Miss Rose, Damion BG, Dj Pappi, eye juice, Tamara Alegre & guest
Ballhof Eins
THU 30 JAN
18.00
The Savor of a Sweet Surprise – Afrang Nordlöf Malekian & Tamara Alegre
Festivalzentrum Ballhof Eins Foyer
FRI 31 JAN
18.00
The Savor of a Sweet Surprise – Afrang Nordlöf Malekian & Sepideh Khodarahmi
Festivalzentrum Ballhof Eins Foyer
FRI 31 JAN
19.00
Work Body – Michael Turinsky
Ballhof Zwei
SAT 1 FEB
19.00
Work Body – Michael Turinsky
Ballhof Zwei
SAT 1 FEB
20.00
VAGABUNDUS – Idio Chichava
Cumberlandsche Bühne
SUN 2 FEB
21.00
VAGABUNDUS – Idio Chichava
Cumberlandsche Bühne
Sensory Triggers
For selected performances, we provide information on the demands that might be placed on the audience during the performance. In addition, we highlight various acoustic, visual, olfactory, gustatory and haptic triggers that may be sensory triggers for people. Transparent communication in this regard allows potential attendees to decide themselves whether a performance is accessible for them.
Unless explicitly stated otherwise, the following theatre rules apply during the performance: visitors have to be quiet during the performances and remain seated throughout.
As some productions are in the process of being developed, this page will be continuously updated and supplemented if necessary.
The Savor of a Sweet Surprise
Several scenes with loud music.
The audience is seated in a circle around the performance table and will participate in the decorating process. During the performance, food is distributed.
The performers might come close to the audience, but without any physical contact.
1GUH WATCH
Light-intensive performance with dark scenes. Occasionally pulsating or dazzling light in some parts of the audience. Large-scale light projections on the stage and wall in various intense colors. Theater fog. Several scenes with bass-heavy music and physically noticeable vibrations.
The performers may come close to the audience, but without any physical contact. At the end of the piece, spectators are invited onto the stage to dance along. However, there is no obligation to do so.
VAGABUNDUS
Partially individual cones of light with medium light intensity.
Partially loud singing. The audience area is sometimes almost completely darkened.
The performers may come close to the audience, but without any physical contact. At the end of the piece, spectators are invited onto the stage to dance along. However, there is no obligation to do so.
Content Notes
For selected performances, we point out different harmful content that can be potentially triggering. A transparent communication about this allows potential visitors to decide for themselves whether a performance is suitable an accessible for them.
We are aware that some content without content notes can make people feel unsafe, as this content can be offensive, disturbing, stressful or even retraumatizing.
However, as there is a very wide range of potential triggers and it is not always possible to consider and include all of them, we would like to offer our audience the opportunity to find out about specific triggers on our website in advance.
We encourage you to contact us and ask whether certain triggering content will be addressed, shown or performed in one of our performances. All you need to do is send us a short email, for example, which does not require any special wording and can consist of just one question. As far as we are able, we endeavor to follow up on all requests.
As some productions are in the process of being developed, this page will be continuously updated and supplemented if necessary.
The Savor of a Sweet Surprise
Explicit description of food and eating. Nudity. Mentioning of sexual acts, war, violence.
1GUH WATCH
Occasionally sexual content in lyrics and movements.
VAGABUNDUS
Folk songs about migrant movements and escape are sung loudly and in chorus. Stamping foot movements. Partial nudity.
Relaxed Seating
For selected festival events, we offer alternative seating options in form of bean bags. Bean bafs can be booked in advance as "beanbag tickets" through the box office or in the online shop. The offer is valid for the performances of 1GUH WATCH at Ballhof Eins, Work Body at Ballhof Zwei, The Savor of a Sweet Surprise in the Festival centre Ballhof Eins Foyer as well as VAGABUNDUS at Cumberlandsche Bühne.
Alternative seating in the form of beanbags is also available in the festival centre.